This process combines the use of images and marks from photographic, digital and hand-drawn sources with the range of marks and textures offered by the etching process.
A positive of the image on acetate is placed onto a plate covered in photo -emulsion and then exposed to UV light. The image is
Photo- etch offers a huge range off possibilities both in the design stage using Photoshop for example and also in the etching stage where the whole range of etching methods can be called on to further develop the image.
Positives: This process has opened out a tremendous range of creative possibilities for the printmaker. The positives can be printed out on ink jet, laser printers and photocopiers. Any source material can be used, photographs, drawings can be processed and resized using computer programmes. These print-outs can be drawn on and scratched into or cut up and re-assembled, the possibilities are endless.
Tru grain transparent drawing film can be used to draw directly using inks /washes/ brush marks/ crayons/ felt pens etc. These marks can be scratched into and rubbed off. Collaged stencils and flat objects can also be used.
The photopolymer film has been in use industrially in the
Books
Etching and photopolymer intaglio techniques: Colin Gale
Printmakiing Handbook Series A&C Black London rrp £14.99
ISBN 0-7136-6702-8